#Unearthed: Queen Barbara Of The Silver Blades
The 1951 North American Figure Skating Championships
Organizers from the Glencoe Club made sure the skaters and officials were entertained too. A trip to Banff was arranged so that skaters could take in the Olympic Ski Trials. Luncheons and a buffet supper were held at the Club, and CFSA President Alf Williams and his wife held a special dinner at their home. Olympic Gold Medallist Barbara Ann Scott even made an impromptu visit on her way home from an exhibition performance in Edmonton.
ISU historian Benjamin T. Wright recalled, "It is a historical note that the panels of judges [in Calgary] were all men, with one exception, Mary Louise Premer of St. Paul, who judged all four events. Actually, in the prior two North Americans since the War, there had only been one woman on the panels of judges each year."
For once, visitors to the Prairies weren't treated to an icy blast; temperatures were unusually seasonal. Let's take a look back at how the competition unfolded!
THE ICE DANCE COMPETITION
The ice dance event was the only competition in Calgary with an odd number of entries. U.S. Silver Medallists Virginia Hoyns and Donald Jacoby were unable to attend, stacking the odds in favour of the three Canadian couples. The judges had a tough task eliminating one team in the first round of competition, but Canadian Tenstep Champions Mary Diane Trimble and David Ross didn't make the cut. U.S. Champions Carmel and Ed Bodel took the gold with first place ordinals from four judges. The one holdout, Ottawa judge Donald B. Cruikshank, had them dead last.
Americans Carol Ann Peters and Danny Ryan and Pierrette Paquin and Canadians Donald Tobin tied in ordinal placings, but the Americans took the silver with a majority of second places. Frances Dafoe and Norris Bowden placed fourth, but were marked second on two judge's scorecards. Prior to the event, the rules had been changed so that Gold Dances would be skated, but as Canada had only instituted their Gold Dance Test the year prior an agreement was reached that Silver Dances only would be skated.
THE PAIRS COMPETITION
Four pairs vied for the Layman Trophy in the pairs event. World Champions Karol and Peter Kennedy were unsurprisingly heavily favoured to win. Win they did, unanimously in fact, with a difficult performance which Shirley Martin Boyse noted appealed "to both audience and judges." Their American teammates Janet Gerhauser and John Nightingale took the silver, ahead of Jane Kirby and Donald Tobin and Frances Dafoe and Norris Bowden. Just three years later, Dafoe and Bowden would be World Champions.
THE WOMEN'S COMPETITION
Virginia Baxter was the only medallist from the 1949 North American Championships in Philadelphia to return in 1951. Unfortunately, she wasn't able to move up in Calgary, let alone defend her bronze medal. A new crop of women had entered the game and in the figures, it couldn't have been closer between Sonya Klopfer, Suzanne Morrow and Tenley Albright. The well-matched trio of skaters were neck and neck heading into the free skate, with sixteen year old Klopfer holding the lead by the closest of margins. Sonya was named after Sonja Henie, whom her mother admired, but the name was anglicized. It didn't matter anyway. Associated Press reporters covering the event from Calgary called her 'Sonja Klopper'.
A fast and dynamic free skating performance gave Sonya Klopfer a unanimous win, but only one ordinal placing separated Morrow in second from Albright in third. It was one of best skated women's events at North Americans in recent years... no wonder as all three of the medallists placed in the top six in the recent World Championships in Milan.
THE MEN'S COMPETITION
If the women's event was a nail-biter, the men's competition was smooth sailing for Olympic Gold Medallist and World Champion Dick Button. The twenty one year old Harvard junior took a commanding lead over Jimmy Grogan, Hayes Alan Jenkins and Peter Firstbrook in the figures and skated with confidence and control in the free skate to unanimously defend his North American title for the third consecutive time. No other man had won the event thrice since Montgomery 'Bud' Wilson prior to World War II... but Button, Grogan and Jenkins had placed in the exact same order in Philadelphia in 1949. Peter Firstbrook, Don Laws, Donald Tobin, Bill Lewis and Roger Wickson rounded out the eight man field.
The American sweep of the gold medals in all four disciplines might have been disappointing to the Canadian organizers, but it spoke not to the weakness of Canadian skaters but instead the utter domination of American skaters in post-War figure skating. Win or lose, every skater left Calgary with a special souvenir from the City Of Calgary... a white cowboy hat.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
Lutzes In Luxembourg
In the nineteenth century, the views of Luxembourgers on ice skating were quite divided. Some turned their nose up at skating, considering it a frivolous waste of time indulged in by their neighbours in France. An article in the January 26, 1861 issue of "L'Union" bemoaned, "It is a fashion, a fury, a disease; when Paris rushes to the Bois de Boulogne to skate... One would think that there would be better to do with a temperature of eleven degrees below zero: to light a good fire and read or write in his diary. Instead he skates, exposing himself for six hours to the north wind and flits about the ice like a top!" Others had reservations about being manhandled by the lower classes. On December 31, 1864, another "L'Union" article noted that the poor would line the shores to assist people in putting on their skates. These "beggars of the ice" assisted skaters in hopes of "a penny for their morning pudding and evening gin." Imagine! These views certainly weren't shared by all Luxembourgers. On January 24, 1868, the "Courier Du Grand Duché Luxembourg" recorded, "Our political concerns do not prevent our winter season to be busy and even joyful. A great national entertainment, skating, was favoured in the most beautiful frosts... In almost all cities, races were organized. Do you know that the ordinary railway trains struggled against the speed of the winners?"
One factor that hampered skating's development in Luxembourg during the mid-nineteenth century was the fact that rivers, lakes and channels often didn't freeze enough to allow safe skating. By the late nineteenth century, colder weather drew more Luxembourgers to the ice. In 1891, author Georges Deney noted that Luxembourg City's basin was a popular meeting place for skating aficionados. Two years later, American skating pioneer Irving Brokaw's painting "A Skating Girl" was installed permanently in a Luxembourg art gallery by the French government.
During World War II, American soldiers stationed in Luxembourg found skating to be a popular recreation. On February 25, 1945, Joseph G. O'Keefe of the U.S. Army noted, "Luxembourg has in its favour... a remarkably dry and stimulating climate. Although snow falls frequently, and the mercury dips below freezing, the consequences are not too unpleasant. Young people go in enthusiastically for skiing and ice skating and other winter sports where facilities are available."
It really wasn't until the late sixties and early seventies that Luxebourg's burgeoning figure skating community started getting itself organized. The Féderation Luxembourgeoise des Sports d'Hiver was founded in 1968 and joined the ISU in 1971. Arsène Hostert served as the burgeoning federation's first President and Jean Ney its first Secretary.
Enter Pavel (Paul) Čechmánek. The young skater's family had emigrated to Switzerland from Czechoslovakia as political refugees in 1969. At the age of eleven, Čechmánek won the Czechoslovakian junior title and was considered a top prospect for the 1972 Olympic team. He took lessons from Arnold Gerschwiler in Switzerland and applied to ISU to represent Switzerland in Sapporo, but was flatly turned down. In Davos, his family became acquainted with Arsène Hostert. As a result of this meeting, the Čechmánek family moved to Luxembourg in October of 1971 and commenced training at the Beforter rink with Pavel's mother acting as his coach. French judge and author Jeanine Hagnauer came to observe him and suggested, "Why not skate for France? What worth to your little country does he be?" With no one to compete against, Pavel was appointed as Luxembourg's champion but the ISU still refused to let the teenager compete internationally because he wasn't representing the country of his birth and was a political refugee. Roger Krieps, writing of Čechmánek's plight in the October 20, 1972 issue "d'Letzeburger Land", urged the fledgling Luxembourg Skating Association to fight for Čechmánek but acknowledged the orgainization was "still weak" to fight the almighty ISU. The Association finally succeeded and Čechmánek made history as the first Luxembourger to compete at the European and World Championships.
By 1974, figure skating was first represented in Club Hiversport Patinage - Luxembourg (CHL), then chaired by Dr. Pol Nilles and two years later, the Union Luxembourgeoise de Patinage (ULP) was officially born, headed by Camille Michels. In 1978, the ULP presented its first Coupe du Printemps at the Kockelscheuer rink. The international competition continues to this day. Over the years, winners have included Jorik Hendrickx, Sarah Hecken, Daisuke Murakami, Joshi Helgesson and Jan Cevjan.
In 2003 and 2004, Anna Bernauer made history as the first woman to represent Luxembourg at both the European and World Championships. To date, only two skaters from Luxembourg have ever competed at the Winter Olympics. Patrick Schmit was the first in 1998 and Fleur Maxwell the most recent in 2006. Small but mighty, Luxembourg continues to produce very talented young skaters who are keeping the grand duchy on the map.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
Here Come The Judges
HERBERT AND HENIE
In December of 1945, Herbert J. Clarke became the President of the ISU. Prior to World War II, he had been a perennial judge at the European and World Championships. He first judged at the Worlds in Vienna in 1923, when Sonja Henie's one-time rival Herma Szabo won her second World title. He was the only judge to place her second in the free skate.
In 1927, Sonja Henie controversially defeated Herma Szabo at the World Championships in Oslo. Three of the five judges were Norwegian. The following year when the event was held in London, Clarke sat on the panel. He placed Henie third in figures was the only judge to place her second overall behind Maribel Vinson. At the 1929 Worlds in Budapest, Clarke was the only judge to place Henie third in free skating. In 1930 in New York City and 1932 in Montreal, he was the only judge to put her third in figures. In 1935 in Vienna, he was the only one of the nine judges to place her second in figures.
Though a small handful of judges dared not to place the Norwegian skating queen first during her decade long reign, no other judge was perhaps more despised by Sonja Henie than Herbert J. Clarke.
THE FIRST JUDGE TO PLACE A WORLD CHAMPION OUTSIDE OF THE TOP THREE
To say that judges have been disagreeing since skating's earliest beginnings is no exaggeration. The first judge to place a World Champion outside of the top three was Ivar Hult. Way back in 1897 in Stockholm, he was the only one of five Swedish judges to have the winner Gustav Hügel fourth overall on his scorecard. The first judge to do this under the Open Marking System was one Mr. Voordeckers of Belgium in 1950. He had World Champions Karol and Peter Kennedy sixth. All but one other judge had them first.
DOUBLE DUTY
Though the 1928 Winter Olympics in St. Moritz were the fourth Games to include figure skating, they were the first where a competitor didn't perform 'double duty' as a judge. In London in 1908, Horatio Tertuliano Torromé judged the pairs event and competed in the men's. In Antwerp in 1920, Walter Jakobsson judged the men's and competed in the pairs.
In Chamonix in 1924, Belgium's George Wagemans competed in pairs and judged the women's. Perhaps sitting with Walter Jakobsson on the judging panel jinxed him. He and partner Georgette Herbos placed only fifth. In all three cases, the men in question served alongside judges who scored them at the same event.
THE FIRST TIME TWO WORLD CHAMPIONS JUDGED THE WORLD CHAMPIONSHIPS TOGETHER
In Troppau in 1908, Gustav Hügel made history as the first former World Champion to 'turn the tables' and act as a judge at the World Championships. That autumn, he and Henning Grenander judged together at the Summer Olympic Games. In 1914, Olympic Gold Medallists Walter Jakobsson and Nikolay Panin-Kolomenkin sat on a judging panel together at the World Championships in Helsinki but it wouldn't be until 1926 that two World Champions sat on the same judging panel at Worlds. Walter Jakobsson and Fritz Kachler judged the men's and pairs events in Berlin that year.
FEMALE FIRSTS
Women didn't outnumber the men on a judging panel at the World Championships until 1965. The pioneering judges of the women's event in Colorado Springs that year were Great Britain's Pamela Davis, France's Jeanine Donnier-Blanc, East Germany's Carla Listing, the Soviet Union's Tatiana Tomalcheva and America's Jane Vaughn Sullivan. The year prior, Mrs. Donnier-Blanc had served on the first five-female judging panel at the European Championships.
VICTORIAN ERA SHENANIGANS
In 1892, a series of North American fancy skating contests were embroiled in judging controversies. At the Championships Of America, held that year at the Hoboken Thistle Club in New Jersey, George Dawson Phillips of New York beat J.F. Bacon of Boston by six points. It was charged that the judges were all close personal friends of Phillips and that they "misinterpreted" the rules and given Phillips an extra two points and deducted three from Bacon's tally.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
The 1932 European Figure Skating Championships
THE MEN'S COMPETITION
As was expected, Austria's Karl Schäfer won the school figures unanimously by quite a large margin. Four of the five judges also had him in first place in the free skate, with the Belgian judge instead giving the nod to his teammate, Erich Erdös.
Germany's Ernst Baier finished second on all but one judge's scorecard and Erdös narrowly edged Dr. Hugo Distler for the bronze. France's two entries in the men's event, Jean Henrion and Georges Torchon, finished at the bottom of the pack.
THE WOMEN'S COMPETITION
Both Henie and Holovsky were less than their best in the free skate, but three judges still had Henie first. The French judge, valuing artistry over acrobatics, placed Hultén ahead of Henie. The British judge, Sydney Wallwork, dared to place Henie third behind Burger and Hultén.
With the help of her strong lead in the compulsories, Henie managed to hang on for the win by some forty points. Burger was second, Hulten third, Holovsky fourth. Austria's Liselotte Landbeck, who three of the five judges had in the top three in the free skate, settled for fifth. France's Jacqueline Vaudecrane almost withdrew due to illness, but opted to compete and finished dead last, two places behind her teammate, Gaby Clericetti.
THE PAIRS COMPETITION
As all four of the singles skaters from France had fared very poorly, the Parisian audience was particularly invested in Andrée (Joly) and Pierre Brunet... with good reason. Their track record spoke for itself and the duo's participation in their first and last European Championships in their home country can't have been a coincidence. Despite the pressures of skating in front of a hometown crowd, they won the event with ease when both of the top Hungarian teams didn't show up despite submitting their entries. It was very close between Lilly Gaillard (Scholz) and Willy Petter and Idi Papez and Karl Zwack for silver, but Gaillard and Petter ultimately came as the top Austrian pair. Great Britain's Margaret and Kenneth Ord MacKenzie placed fourth.
Following the competition, the Brunet's, Sonja Henie and Yvonne de Ligne embarked from the Gare Saint-Lazare to Le Havre and then boarded the Ile-de-France for the long steamship voyage across the Atlantic to America to compete in the Winter Olympics in Lake Placid. Schäfer (travelling via Cherbourg on the S.S. Majestic), Baier, Burger, Hultén and Joan Dix were the only other participants from Paris who also competed in Lake Placid.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
The 1922 Canadian Figure Skating Championships
The 1907 Minto Skating Club Fire
Exploring The Collections: Competition Programs
Every Skate Guard blog that is put together draws from a variety of different sources - everything from museum and library holdings and genealogical research to newspaper archives and dusty old printed materials I've amassed over the last ten years or so. This year, I thought it would be fun to give you a bit of a 'behind the scenes' look at the Skate Guard Collections, which include books, magazines, VHS tapes, show and competition programs, photographs and many other items. These Collections date back to the nineteenth century and chronicle figure skating's rich history from the days of quaint waltzes in coats and tails to quadruple toe-loop's. Whether you're doing your own research about a famous 'fancy' skater in your family tree or a long-lost ice rink in your community or just have a general skating history question you can't find the answer to online, I'm always happy to draw on these resources and try to help if I can.
This month, I'd like to talk about Competition Programs! As early as at least the roaring twenties, these fact-filled booklets have served as 'companions' to the experience of viewers at competitions, listing the names and (at times) skate orders of skaters, the clubs or countries they represented, offering a time schedule and in many cases, spaces for spectators to write down and calculate the judges scores.
If you're lucky enough to come across a used Competition Program, you may find the scores recorded in pencil, as well as notes about the performances as the spectator saw them - what colour dress the skater might have worn, whether or not they fell or not, what jumps they may have performed, etc. Some collectors may get giddy over pristine copies of things, but there's far more value in a well-loved, written-in Program as far as I'm concerned!
A flip through the program for the 1989 European Championships in Birmingham reveals messages from Her Majesty The Queen Elizabeth II, ISU President Olaf Poulsen and World Champion Courtney Jones, who was the Chairman of the Organizing Committee and President of the ISU at the time. There's a list of all of the people who served as Committee Chairs, a timetable of events, a history of the European Championships by ISU Historian Benjamin T. Wright, guides to judging and 'what to look for' by NSA Historian Dennis Bird and sportswriter Sandra Stevenson, short bios and photos of competitors, skating-themed puzzles, a map of the venue, a list of past winners, an autograph page, an order form for event merchandise and numerous advertisements.
A program from the 1970 Canadian Championships in Edmonton, which sold for one dollar, is somewhat abbreviated in comparison to the robust 1989 European Championships program. There's a list of Committee Chairs and CFSA Officers, letters from CFSA President Doug Peckinpaugh, Alberta Premier Harry E. Strom and Edmonton Mayor Ivor G. Dent, a list of the judges and where they were from, a brief history of the sport, schedule, list of competitors and clubs, the eligibility requirements and prizes for each event, an explanation of judging, a list of the 1969 Canadian Champions, a handful of photographs and an autograph page.
One thing that's of great interest from a historical perspective that I often see in Competition Programs are articles detailing more regional or club histories. These articles, often penned by club members or local historians, give a sense of the city that hosted the Championship's past and what sense of importance the Championships may play in that region's own skating future. Take a city like a Halifax, which hosted the World Championships in 1990... but hasn't hosted the World Championships since. A flip through that year's program gives a real sense of what a big 'get' the Championships were as compared to an international competition in say, Vienna which has hosted many ISU Championships.
For a list of the Competition Programs in the Skate Guard Collections, click here. If you've got programs collecting dust in your attic or basement that you'd like to donate, I'd love to hear from you!
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
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