Isabella Butler: Figure Skating's Best Kept Secret


On a balmy August afternoon in 1906, Isabella Butler sat in the lobby of the Hotel Jermyn in Scranton, Pennsylvania cradling her baby. "At first I would shut my eyes, hold my breath and half swoon with fear. Now, would you believe it, I am conscious of every moment and every foot of the loop," she told a reporter from The Scranton Republican. Although Butler was an incredibly skilled skater, she wasn't telling this reporter about the loops she carved on the ice. She was referring to "The Dip Of Death".

Imagine a turn of the century automobile careening down a curved roller coaster track, doing a full loop in the air over a forty foot chasm and flying onto another track. That was Butler's job in Barnum and Bailey's Circus in 1906 and 1907. The stunt was reportedly based on an act called "L'Auto-Bolide" that was spotted by an agent in Paris, France. It was brought over to America as "The Dip Of Death" by one Mademoiselle Mauricia De Tiers. Her successor, the young mother from Boston, performed it twice daily for two years, holding a fan in one hand and driving with the other. If that's not crazy enough for you, how would you feel if I told you we were just getting started? 

After studying medicine at Vassar College in New York, Isabella met her husband Tom, a stunt bicycle rider. It was through his circus connections that she got the Barnum job but after two years of performing "The Loop Of Death", she yearned to pursue her real passion: figure skating. Her husband helped make that happen too. Teaming up with Edward Bassett, who won a fancy skating competition at the St. Nicholas Rink in March of 1907, Isabella was one half of a hugely popular Vaudeville figure skating act that took America by storm for the better part of a decade. Tom Butler travelled with the duo, making artificial ice for their stage performances and closely guarding the secret to how he did it to reporters and curious audience members alike.



Boston born circus star and impresario Stanley W. Wathon promoted Butler and Bassett, falsely billing them as the "World's Champion Skaters" to draw in patrons. The ruse worked. Patrons flocked en masse to the Fifty Eighth Street Theatre in New York City to see what all the fuss was about. The New York Clipper, on March 14, 1908 recalled their act: "A tank of real ice, about eight or ten feet in length by half of that in width is set in the centre of the stage, and on this the team perform their skating novelties. The act opens with some neat evolutions by both Miss Butler and Mr. Bassett and then each takes an individual try at it, with capital results. They do some remarkable feats, particularly when the small space in which they are compelled to work is taken into consideration. Miss Butler aroused plenty of enthusiasm and Mr. Bassett's skating around four lighted candles brought forth hearty applause. The entire act is worthy of the highest praise, and is something new for Vaudeville. It ran about twelve minutes, in three... He introduces a marvellous human top spin, in which he claims to spin at the rate of several hundred revolutions a minute." Following their Big Apple debut, Butler and Bassett took their icy stage act on the road to Chase's Theatre in Washington, D.C., The Grand Theatre in Pittsburgh and Bennett's Theatre in Montreal between May 1908 and January 1909.

Over a decade before the nineteenth amendment guaranteed American women the right to vote, Isabella Butler was personally responsible for teaching New York women to figure skate. These 'skating suffragettes' were largely members of the city's upper crust. On April 21, 1909, The Bridgeport Evening Farmer reported on her classes and skating thusly: "Desiring to interest her sex in the sport she yielded to the entreaties of Mrs. Irving Brokaw and Mrs. Ernest Iselin and had a class at the St. Nicholas Rink which did more to create the interest in ice skating among the women of New York than anything else had done for several years. Miss Butler expressed a desire to enter the world's skating contest last year but the cruel men debarred her because of her sex. She has challenged all of the prominent women skaters of this country and Canada to contests but they have not seen fit to risk defeat." Considering the laws surrounding amateurism in competitive figure skating in those days, one might construe the latter statement about Butler wishing to compete as a bit of 'enthusiastic journalism' or another Wathon story told to draw in patrons, but we weren't there. Who knows what her intentions truly were? At any rate, it's fascinating history.

Bassett and Butler continued to perform their act in theatres from Chicago and Memphis to San Francisco and Sacramento. When they weren't on the road, they practiced on the ice separately: Bassett at the Crystal Ice Rink in St. Louis and Butler at The Elysium Rink in Cleveland. Isabella Butler also skated singles and pairs with none other than Norval Baptie, whose story we looked at on the blog back in July of 2014. The Duluth Herald, reporting on her performance in a show with Baptie at the Duluth Curling Rink in Minnesota in February of 1911 noted, "her form is faultless, and form counts most in figure skating, and she executes the most difficult figures with the greatest of ease. Miss Butler goes through the entire repertoire of fancy figure skating, showing remarkable control and wonderful ease in every move she makes. Her work last evening was greeted with a round of applause that must indeed have pleased her." By 1915, Butler and Bassett were skating alongside Gladys Lamb and Norval Baptie in the "Castles In The Air" shows at The Ice Palace above the Forty Fourth Street Theatre in New York City, executing complex figure eights and novel spins while diners guzzled back cocktails between six and nine over supper. The next winter, she was in Los Angeles on a five month contract ice skating at the Hotel Alexandria with her sister Grace and Irish born Australian skating pioneer Dunbar Poole.

Roman Mars aptly mused on the podcast 99% Invisible that "it's totally unfair. Hydrox cookies came out four years before the introduction of Oreos, but Hydrox could never shake the image that it was a cheap knock-off, an also-ran. As a consumer product, it's completely out of your hands if you're deemed a mighty Transformer, or a loathsome Gobot. Sometimes it doesn't make any sense at all."
The documented history of figure skating has for years worked very much the same way. Madge Syers in, Mabel Davidson out. Sonja Henie in, Belita out...  Isabella Butler out. A university educated mother who jumped "The Dip Of Death" with Barnum And Bailey, toured America skating on artificial ice and taught women to skate before they could vote... forgotten. Sometimes it doesn't make any sense at all.

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